Date of Birth: May 11, 1904, Figueres, Spain
Date of Death: January 23, 1989, Figueres, Spain
Salvador Felipe Jacinto Dalí I Domenech was born at 8:45 on the morning of May 11, 1904, in the small agricultural town of Figueres, Spain. Figueres is located in the foothills of the Pyrenees, only sixteen miles from the French border in the principality of Catalonia. The son of a prosperous notary, Dalí spent his boyhood in Figueres and at the family's summer home in the coastal fishing village of Cadaques where his parents built his first studio. As an adult, he made his home with his wife Gala in nearby Port Ligat. Many of his paintings reflect his love of this area of Spain.
The young Dalí attended the San Fernando Academy of Fine Arts in Madrid. Early recognition of Dalí's talent came with his first one-man show in Barcelona in 1925. He became internationally known when three of his paintings, including *The Basket of Bread* (now in the Museum's collection), were shown in the third annual Carnegie International Exhibition in Pittsburgh in 1928.
The following year, Dalí held his first one-man show in Paris. He also joined the surrealists, led by former Dadaist Andre Breton. That year, Dalí met Gala Eluard when she visited him in Cadaques with her husband, poet Paul Eluard. She became Dalí's lover, muse, business manager, and chief inspiration.
Dalí soon became a leader of the surrealist movement. His painting, *The Persistence of Memory*, with the soft or melting watches, is still one of the best-known surrealist works. But as the war approached, the apolitical Dalí clashed with the surrealists and was "expelled" from the surrealist group during a "trial" in 1934. He did, however, exhibit works in international surrealist exhibitions throughout the decade, but by 1940, Dalí was moving into a new style that eventually became known as his "classic" period, demonstrating a preoccupation with science and religion.
Dalí and Gala escaped from Europe during World War II, spending 1940-48 in the United States. These were very important years for the artist. The Museum of Modern Art in New York gave Dalí his first major retrospective exhibit in 1941. This was followed in 1942 by the publication of Dalí's autobiography, *The Secret Life of Salvador Dalí*.
As Dalí moved away from Surrealism and into his classic period, he began his series of 19 large canvases, many concerning scientific, historical, or religious themes. Among the best known of these works are *The Hallucinogenic Toreador*, and *The Discovery of America by Christopher Columbus* in the museum's collection, and *The Sacrament of the Last Supper* in the collection of the National Gallery in Washington, D.C.
In 1974, Dalí opened the Teatro Museo in Figueres, Spain. This was followed by retrospectives in Paris and London at the end of the decade. After the death of his wife, Gala, in 1982, Dalí's health began to fail. It deteriorated further after he was burned in a fire in his home in Pubol in 1984. Two years later, a pacemaker was implanted. Much of this part of his life was spent in seclusion, first in Pubol and later in his apartments at Torre Galatea, adjacent to the Teatro Museo. Salvador Dalí died on January 23, 1989, in Figueres from heart failure with respiratory complications.
As an artist, Salvador Dalí was not limited to a particular style or medium. The body of his work, from early impressionist paintings through his transitional surrealist works, and into his classical period, reveals a constantly growing and evolving artist. Dalí worked in all media, leaving behind a wealth of oils, watercolors, drawings, graphics, sculptures, jewels, and objects of all descriptions.
Whether working from pure inspiration or on a commissioned illustration, Dalí's matchless insight and symbolic complexity are apparent. Above all, Dalí was a superb draftsman. His excellence as a creative artist will always set a standard for the art of the twentieth century.